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dc.contributor.authorAndean, Jamesen
dc.date.accessioned2016-04-07T13:29:45Z
dc.date.available2016-04-07T13:29:45Z
dc.date.issued2014-06-06
dc.identifier.citationAndean, J. (2014) Sound and Narrative: Acousmatic composition as artistic research. Journal of Sonic Studies, 7en
dc.identifier.issn2212-6252
dc.identifier.urihttp://hdl.handle.net/2086/11833
dc.identifier.urihttps://www.researchcatalogue.net/view/86118/86119
dc.description.abstractThis paper will discuss acousmatic music as a simultaneously musical and narrative art form. Acousmatic narrative will be considered from the dual perspectives of the composer and the listener, and we will investigate some of the differences between these, and some of the mechanisms at play. A case will be made for the act of acousmatic composition as an ideal site for exploration and research into narrative processes. The composition and reception of the author's work Déchirure will be used as an illustrative example.en
dc.language.isoenen
dc.publisherJournal of Sonic Studiesen
dc.subjectElectroacousticen
dc.subjectAcousmaticen
dc.subjectNarrativeen
dc.subjectArtistic researchen
dc.titleSound and Narrative: Acousmatic composition as artistic researchen
dc.typeArticleen
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.peerreviewedYesen
dc.explorer.multimediaNoen
dc.funder-en
dc.projectid-en
dc.cclicenceCC-BY-NCen
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en


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