Show simple item record

dc.contributor.authorAndean, Jamesen
dc.date.accessioned2016-04-04T13:05:52Z
dc.date.available2016-04-04T13:05:52Z
dc.date.issued2014-08
dc.identifier.citationAndean, J. (2014) Towards an Ethics of Creative Sound. Organised Sound 19 (2), pp. 173-181en
dc.identifier.urihttp://hdl.handle.net/2086/11805
dc.description.abstractThis article examines some of the ethical issues involved in working creatively with sound. Issues considered include: sound ownership; sound vs. vision as determinations of identity, and their relative iconicity; recorded sound; sound as physical phenomenon vs. sound as symbol; issues of copyright and trademark; community ownership; awareness, sensitivity and responsibility; composer responsibility vs. listener responsibility; the relative importance of contextualisation; and intercultural dialogue. We will conclude with a critique of the cultural and ethical shortcomings of the article itself, and a call for social, cultural and ethical engagement in creative sound work.en
dc.language.isoenen
dc.publisherCambridge Journalsen
dc.subjectElectroacousticen
dc.subjectSounden
dc.subjectEthicsen
dc.titleTowards an Ethics of Creative Sounden
dc.typeArticleen
dc.identifier.doihttp://dx.doi.org/10.1017/S1355771814000119
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.peerreviewedYesen
dc.funder-en
dc.projectid-en
dc.cclicenceN/Aen
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record