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dc.contributor.authorRichards, Johnen
dc.date.accessioned2016-04-01T13:20:55Z
dc.date.available2016-04-01T13:20:55Z
dc.date.issued2015-05-12
dc.identifier.citationRichards, J. (2015) "Hidden Sine" [music performance/composition].en
dc.identifier.urihttp://hdl.handle.net/2086/11790
dc.description.abstractHidden Sine explores self-made instruments and large group performance, and ‘sound curious’ that are concerned with the way of the hand, touch and affordance (action possibilities). Hidden Sine draws loosely on object orientated philosophy and theory of affordances. The premise is that an object may have artistic/sound potential, often hidden, that can be revealed through investigation and praxis. This investigation operates on a number of levels covering sound, plastic arts and actions/theatre. The building of circuits and sound devices is also seen as a method for creating a tabula rasa, and how the idea of delegated performance, where instruments are played by ‘non-experts’, serves to establish a naive approach and authenticity in performance.en
dc.language.isoenen
dc.subjectmusic performanceen
dc.subjectmusic compositionen
dc.subjectDIY electronicsen
dc.subjectparticipatory arten
dc.subjectlive electronicsen
dc.titleHidden Sineen
dc.typeMusical Scoreen
dc.typeRecording, musicalen
dc.researchgroupMusic, Technology and Innovation Research Centreen
dc.peerreviewedYesen
dc.funderCity University, London; Electronic Music Week (EMW), Shanghai Conservatory of Musicen
dc.projectidhiddensineen
dc.cclicenceN/Aen


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