Show simple item record

dc.contributor.authorKeenan, Siobhanen
dc.date.accessioned2016-03-17T11:11:42Z
dc.date.available2016-03-17T11:11:42Z
dc.date.issued2016
dc.identifier.citationKeenan, S. (2016) Shakespeare and the Market in his Own Day. In: Shakespeare's Cultural Capital: His Economic Impact from the Sixteenth to the Twenty-First Century, ed. Dominic Shellard and Siobhan Keenan, Basingstoke: Palgrave Macmillan, pp. 13-31en
dc.identifier.isbn9781137583154
dc.identifier.urihttp://hdl.handle.net/2086/11619
dc.description.abstractThis chapter looks at Shakespeare’s engagement with the commercial theatre world and the marketing of his work in his own life time. This includes considering Shakespeare’s part in leading and following theatrical fashions on the early modern London stage and the importance of competition and imitation across the repertories of the leading London acting companies. It also includes reflecting on what we know about the business practices of Shakespeare’s company (the Lord Chamberlain’s / King’s Men) and the early history of Shakespeare’s plays and poems in print, including the ways in which Shakespeare’s name and works were circulated and marketed to his contemporaries in and outside early modern London.en
dc.language.isoenen
dc.publisherPalgrave Macmillanen
dc.subjectShakepeare, theatre history, market, printen
dc.subjectShakepeareen
dc.subjecttheatre historyen
dc.subjectmarketen
dc.subjectprinten
dc.titleShakespeare and the Market in His Own Dayen
dc.typeBook chapteren
dc.identifier.doihttps://doi.org/10.1007/978-1-137-58316-1_2
dc.peerreviewedYesen
dc.funderNoneen
dc.projectidNoneen
dc.researchinstituteInstitute of Englishen
dc.researchinstituteInstitute of Drama, Dance and Performance Studiesen


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record