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dc.contributor.authorVear, Craigen
dc.date.accessioned2014-07-21T09:12:35Z
dc.date.available2014-07-21T09:12:35Z
dc.date.issued2014
dc.identifier.citationVear, C. (2014) Quicksilver.en
dc.identifier.urihttp://hdl.handle.net/2086/10128
dc.description.abstractQuicksilver (2014) is a composition for dancer, cello, Kyma and >>>projection technology (11 mins). The piece operates on 2 levels: >>>firstly as an operetta {of sorts} that plays out an imaginary rehearsal >>>of Adrian Leverku¨hn, the main character of Thomas Mann¹s Doktor >>>Faustus (1947), conducting his composition The Lamentation of Doctor >>>Faustus whilst in the final stages of his syphilitic induced death. In >>>this scenario the cellist could be perceived as Mephistopheles, >>>conjuring up sounds and music beyond Leverku¨hn¹s compositional >>>ability. Secondly, as a hypermedial organism in which the boundaries of >>>individuality are blurred through the interaction of digital >>>technology, and creativity is fused selflessly within a lived >>>understanding of a whole instrument.en
dc.titleQuicksilveren
dc.typeMusical Scoreen
dc.researchgroupPerformance Research Groupen
dc.funderKyma International Sound Symposiumen
dc.projectidnaen
dc.researchinstituteMusic, Technology and Innovation - Institute for Sonic Creativity (MTI2)en


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