Browsing by Subject "visual music"

De Montfort University Open Research Archive

Browsing by Subject "visual music"

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  • Battey, B. (Article)
    The author briefly explores the aesthetic of his audiovisual composition "Sinus Aestum" by addressing issues of beauty, novelty, ways of being, wayfinding in creative dialog with computer systems, and degrees of isomorphism ...
  • Battey, B. (Conference)
    This paper describes the artistic and technical processes used in generating the visuals for the video music work "Autarkeia Aggregatum". An algorithm is described that involves a grid of points extracted from a source ...
  • Battey, B. ; Fischman, R. (Book chapter)
    This chapter considers the historical lineage and conceptual origins of visual music, addressing the turn to abstraction and absolute film in visual arts, particularly in the first half of the twentieth century, and the ...
  • Battey, B. (Article)
    This article addresses the research agenda of creative computing from the perspective of a generative artist/composer, someone for whom processes of software creation and art creation inseparably intertwine. Using his ...
  • Battey, B. (Animation / Recording, musical)
    'Estuaries 1' is the first of the Estuaries series of audiovisual compositions, which explore the expressive potentials of the author's Variable-Coupled Map Networks and OptiNelder methods for generative music and image. ...
  • Battey, B. (Animation / Recording, musical)
    'Estuaries 2' is the second of the author's Estuaries series of audiovisual compositions, which explore the expressive potential of the authors Variable-Coupled Map Networks and OptiNelder methods for generative music and ...
  • Battey, B. (Book chapter)
    The exploration of “concrete”, non-instrumental sound sources in music in the 20th century has led to new insights into the importance of experiential “space” in music. At the same time — somewhat ironically — the application ...
  • Battey, B. (Book chapter)
    The author reflects on personal, aesthetic, theoretical and technical concerns reflected in his audiovisual composition "Autarkeia Aggregatum" (2005). He introduces his concept of "isomorphism of complex gestalts" to ...
  • Battey, B. (Article)
    The author critiques and expands his concept of "fluid audiovisual counterpoint" by investigating the relevance of the species counterpoint tradition in music to conceptualizing audiovisual relationships in abstract video ...