Depersonalisation narratives in 1950s sf cinema have most frequently been understood as reflections of American anxieties about Soviet infiltration and subversion. However, these films were also popular in Britain, where ...

This public exhibition, housed in the DMU Heritage Centre, ran from October 2016 to October 2017. It displayed materials from the Hammer Script Archive held by the Cinema and Television History (CATH) Research Centre at ...

Using the findings and data of the AHRC-funded 'Cultural Memory and British Cinema-going of the 1960s' project, this immersive theatre performance recreated the experience of visiting a cinema during that decade. Bringing ...

During the 1960s, European cinema became increasingly available to British audiences. The expansion of university film societies and arthouse cinemas meant that domestic and US productions, which made up the vast majority ...