• Login
    Browsing by Author 
    •   DORA Home
    • Browsing by Author
    •   DORA Home
    • Browsing by Author
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Browsing by Author "Jones, Matthew"

    • 0-9
    • A
    • B
    • C
    • D
    • E
    • F
    • G
    • H
    • I
    • J
    • K
    • L
    • M
    • N
    • O
    • P
    • Q
    • R
    • S
    • T
    • U
    • V
    • W
    • X
    • Y
    • Z

    Sort by:

    Order:

    Results:

    Now showing items 1-17 of 17

    • title
    • publication date
    • submission date
    • ascending
    • descending
    • 5
    • 10
    • 20
    • 40
    • 60
    • 80
    • 100
      • 1950s Science Fiction Cinema’s Depersonalisation Narratives in Britain 

        Jones, Matthew (Article)
        Depersonalisation narratives in 1950s sf cinema have most frequently been understood as reflections of American anxieties about Soviet infiltration and subversion. However, these films were also popular in Britain, where ...
      • Aliens of London: (Re)reading National Identity in Doctor Who 

        Jones, Matthew (Book chapter)
      • Army of Ghosts: Sight, Knowledge and the Invisible Terrorist in Doctor Who 

        Jones, Matthew (Book chapter)
      • Butch Girls, Brittle Boys and Sexy, Sexless Cylons: Some Gender Problems in Battlestar Galactica 

        Jones, Matthew (Book chapter)
      • Cinema Memories: A People’s History of Cinema-going in 1960s Britain 

        Jones, Matthew; Stokes, Melvyn; Pett, Emma (Book)
      • Cultural Memory and British Cinema-going of the 1960s 

        Jones, Matthew; Sokes, Melvyn (Conference)
      • Far from Swinging London: Memories of Non-urban Cinema-going in 1960s Britain 

        Jones, Matthew (Book chapter)
      • Fleapits and Picture Palaces 

        Jones, Matthew; Chibnall, S.; Porter, Laraine (Video)
        This 25-minute documentary, produced collaborative by members of the Cinema and Television History (CATH) Research Centre, explores the history of cinema-going in Leicester and its surrounding area. Connecting trends in ...
      • Hammer's Monsters: A Screen Bestiary 

        Jones, Matthew; Chibnall, S. (Other)
        This public exhibition, housed in the DMU Heritage Centre, ran from October 2016 to October 2017. It displayed materials from the Hammer Script Archive held by the Cinema and Television History (CATH) Research Centre at ...
      • Leicester Cinema History 

        Jones, Matthew; Chibnall, S.; Ercole, Pier; Porter, Laraine; Hanson, Stuart; Acciari, Monia (Other)
        This public exhibition, housed in the DMU Heritage Centre, ran from February to May 2017. It charted the development, decline and resurgence of Leicester's cinema culture through a large map displaying the cinemas within ...
      • Living Cinema Memories: Restaging the Past at the Pictures 

        Jones, Matthew (Book chapter)
      • Memories of British Cinema 

        Jones, Matthew (Book chapter)
      • A Night at the Cinema in the 1960s 

        Jones, Matthew; Wright, Ellen; Chibnall, S.; Clarke, Alissa; Jordan, Kelly (Other)
        Using the findings and data of the AHRC-funded 'Cultural Memory and British Cinema-going of the 1960s' project, this immersive theatre performance recreated the experience of visiting a cinema during that decade. Bringing ...
      • Post-colonial Britain?: David Lean’s The Bridge on the River Kwai and Lawrence of Arabia in History and Memory 

        Jones, Matthew; Stokes, Melvyn (Article)
      • Science Fiction Cinema and 1950s Britain: Recontextualising Cultural Anxiety 

        Jones, Matthew (Book)
      • Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games 

        Jones, Matthew; Ormrod, Joan (Book)
      • Windows on the World: Memories of European Cinemas in 1960s Britain 

        Jones, Matthew; Stokes, Melvyn (Article)
        During the 1960s, European cinema became increasingly available to British audiences. The expansion of university film societies and arthouse cinemas meant that domestic and US productions, which made up the vast majority ...

        Submission Guide | Reporting Guide | Reporting Tool | DMU Open Access Libguide | Take Down Policy | Connect with DORA
        DMU LIbrary
         

         

        Browse

        All of DORACommunities & CollectionsAuthorsTitlesSubjects/KeywordsResearch InstituteBy Publication DateBy Submission Date

        My Account

        Login

        Submission Guide | Reporting Guide | Reporting Tool | DMU Open Access Libguide | Take Down Policy | Connect with DORA
        DMU LIbrary