Browsing by Author "Garton, Rosie"
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Blueprint (Performance in Lyon)
Garton, Rosie; Rippel, IIdiko (Conference)Blueprint was a collaboration with performers, non-performers and new technology. The piece sets up video links to the performers real-life mothers, and begins to investigate the performers heritage – culturally, genetically ... -
Borders of time and transportations of digital image
Garton, Rosie; Rippel, IIdiko (Book chapter)In 2017 Zoo Indigo presented ‘No Woman’s Land’, a theatrical reaction to the historical story of Lucia and many other walking women at the end of WWII alongside Rosie and Ildikó’s experiences of their own walk. There is ... -
Celluloid Souls (Performance in London)
Garton, Rosie; Rippel, IIdiko (Other)Movies are part of our collective memory and evoke an emotion of nostalgia, a sense of shared experience; they become part of our biographies and personal histories. Considering how we romanticise cinema, the question ... -
Celluloid Souls (Performance)
Garton, Rosie; Rippel, IIdiko (Other)Movies are part of our collective memory and evoke an emotion of nostalgia, a sense of shared experience; they become part of our biographies and personal histories. Considering how we romanticise cinema, the question ... -
Collaboration is a Curious Lover
Garton, Rosie (Article)Zoo Indigo is a collaboration. It’s the two of us. Ildiko Rippel and me. When we facilitate workshops, we nod, wink and smile. We spontaneously add ideas, tasks and images. When one of us laughs, we are urged on. There is ... -
Constructing Performance: Missing screws
Garton, Rosie; Rippel, IIdiko (Article)A while ago I passed a billboard poster proclaiming: "We will come and do your D.I.Y. for you!" And in moments of stillness, this advertisement reappears, uninvited, in my brain, and I consider the confusing proposal of ... -
Fantasizing Motherhood in 'Under the Covers'
Garton, Rosie (Article)This is the fantasy of motherhood that shamefully weeped from my rock solid breasts with no mouth to feed. This is the performance that could only happen once my pre-stretched stomach produced a breathing child, or two. ... -
Flat Out (Performance in Manchester)
Garton, Rosie; Rippel, IIdiko (Other)This is a street intervention work: life size cut outs of our children are placed in hazardous situations, handed to strangers, photographed in public spaces. We are re-claiming our choices of parenting and we maintain ... -
In translation: walking and language as dramaturgical devises in a performance of maternal migration.
Garton, Rosie; Rippel, IIdiko (Book chapter)This article discusses the performance walk as a methodology towards a dramaturgy of migration, enabling an authentic representation of the migrant mother through the staging of the exhausted female body, the interweaving ... -
Maternal Ruptures/Raptures: Leakages of the real
Garton, Rosie; Rippel, Ildiko (Article)This article, co-authored by Ildikó Rippel and Rosie Garton of Zoo Indigo Theatre Company, explores two performance works; Under the Covers (2009) and Blueprint (2012), devised and performed by the duo. Both works present ... -
No Woman' Land (Film Documentary - Brazil)
Garton, Rosie; Rippel, IIdiko; Walsh, Tom (Conference)In 1945, at the end of WWII, Ildiko’s grandmother, Lucia Rippel was expelled from her home in Silesia. With her two children and all her belongings dragged in a cart, she walked 220 miles across the fracture landscape of ... -
No Woman's Land (Film documentary screening in Leicester)
Garton, Rosie; Rippel, IIdiko; Walsh, Tom (Conference)In 1945, at the end of WWII, Ildiko’s grandmother, Lucia Rippel was expelled from her home in Silesia. With her two children and all her belongings dragged in a cart, she walked 220 miles across the fracture landscape of ... -
No Woman's Land (Film documentary)
Garton, Rosie; Rippel, IIdiko; Walsh, Tom (Video)This 18-minute film follows Zoo Indigo’s walk across Poland and Germany in 2015, retracing Lucia’s journey. Themes of home, migration, displacement, women and war are explored in this experimental travelogue entwining the ... -
No Woman's Land (film documentary)
Garton, Rosie; Rippel, IIdiko; Walsh, Tom (Video)In 1945, at the end of WWII, Ildiko’s grandmother, Lucia Rippel was expelled from her home in Silesia. With her two children and all her belongings dragged in a cart, she walked 220 miles across the fracture landscape of ... -
No Woman's Land (film documentary)
Garton, Rosie; Rippel, IIdiko; Walsh, Tom (Video)In 1945, at the end of WWII, Ildiko’s grandmother, Lucia Rippel was expelled from her home in Silesia. With her two children and all her belongings dragged in a cart, she walked 220 miles across the fracture landscape of ... -
No Woman's Land (paper)
Garton, Rosie; Rippel, IIdiko (Conference)This project continues Zoo Indigo’s exploration of the performance of motherhood and authenticity in performance through the inclusion of real histories and the “authentic” experience of the walk. The physical experience ... -
No Woman's Land (Performance extract in Bangkok)
Garton, Rosie; Rippel, IIdiko (Conference)'No Woman's Land' (performance) is 1 hr 15 minute large-scale, multi-media performance work. In 1945, Ildikó’s grandmother Lucia Rippel, expelled from her place of birth, walked 220 miles across the fractured landscape of ... -
No Woman's Land (Performance in Belgrade)
Garton, Rosie; Rippel, IIdiko (Conference)In 2015 Ildikó and Rosie retraced Lucia’s footsteps. Crossing borders, climbing fences, bleeding, crying, blistering. We walked through the united and borderless Europe, witnessing a post-national utopia, particularly at ... -
No Woman's Land (Performance)
Garton, Rosie; Rippel, IIdiko (Other)'No Woman's Land' (performance) is 1 hr 15 minute large-scale, multi-media performance work. In 1945, Ildikó’s grandmother Lucia Rippel, expelled from her place of birth, walked 220 miles across the fractured landscape ... -
Performing Maternity
Garton, Rosie; Rippel, IIdiko (Conference)This presentation examines the 'every day' performance of the mother, and how the desire to escape responsibility can be revealed in performance, alongside a duty of care. This paper draws from two of Zoo Indigo's performance ...